† Saint of the Day †(January 21)

✠ St. Agnes of Rome ✠

Virgin and Martyr:

Born: 291 AD
Rome, Italy

Died: 304 AD
Rome, Italy

Venerated in:
Roman Catholic Church
Eastern Catholic Churches
Eastern Orthodox Churches
Oriental Orthodox Churches
Anglican Communion

Canonized: Pre-congregation

Major shrine:
Church of Sant’Agnese Fuori le mura and the Church of Sant’Agnese in Agone, both in Rome

Feast: January 21

Betrothed Couples; Chastity and Virgins; Children of Mary; Colegio Capranica of Rome; gardeners; Girl Guides; The Diocese of Rockville Centre, New York; The City of Fresno.

Saint Agnes of Rome is a virgin martyr, venerated as a saint in the Roman Catholic Church, Eastern Orthodox Church, the Anglican Communion, and Lutheranism. She is one of seven women who, along with the Blessed Virgin, are commemorated by name in the Canon of the Mass.

Agnes is also shown with a martyr’s palm. She is the patron saint of chastity and virgins, as well as gardeners.

St. Ambrose speaks with great admiration of St. Agnes, who was martyred at the tender age of 12. In his work, On Virgins, he wrote: “This is a new kind of martyrdom! One not yet of fit age for punishment, but already ripe for victory. One unready for combat, but able to win the crown. One who has not yet reached the age of judgment but who has mastered virtue…

“Joyfully she advances with unhesitating step to the place of punishment, her head not adorned with plaited hair, but with Christ. All weep; she alone is without a tear. All wonder that she is so ready to deliver her life, which she has not yet enjoyed, but which now she gives up as though she had lived it fully. All are astounded that she stands forth as God’s witness although at her age she could not yet decide about herself!

“And so it came about that what she said regarding God was believed, although what she said about a man would not be accepted. For that which is beyond nature is from the Author of nature.

“She stands, she prays, she bends down her neck. You can see the executioner tremble, as though he himself has been condemned. His right hand is shaking, his face grows pale. He fears the peril of another, while the maiden fears not for her own danger.

“You have then in one victim a twofold martyrdom, of chastity and religion. She both remained a virgin and she obtained martyrdom.”

St. Ambrose’s commentary on St. Agnes has a literary value that is both profound and very beautiful because it is all composed of contrasts. Through the use of these contrasts, St. Ambrose shows the points he wants to emphasize.

First, there is the contrast between her age and martyrdom. She is too young to be condemned to death because at such a young age no one can deserve such a punishment. And yet she is already ripe for the victory. The one who is not mature in years is nonetheless ripe to win the victory. It is glory. The immaturity of the years and maturity of the virtue.

The second contrast: She is unready for combat but ripe for the crown. A young girl at that time did not have any conditions to fight, yet she won the highest of all the laurels, which is the crown of martyrdom.

The third contrast: She is so young that she is still under the guardianship of others. The law does not consider her capable of governing herself. All present admired her because she was a witness of the Godhead, even though she was still a minor who could not be a witness of anything in a court of human law. Her word would not have any value in a normal process of law, yet she has impressed everyone with her defence of Our Lord.

In addition to this, there are contrasts that one can find in actual martyrdom. She advances joyfully, with unhesitating steps, to the place from which all people naturally flee.

Another contrast: her adornment is not artificially plaited tresses but rather Jesus Christ because He is the true adornment, the real beauty of the soul who consecrates itself to Him.

Another contrast: she is not crowned with flower wreaths like the other young Roman girls of her time, but with purity. That purity in her is splendorous and makes a kind of halo around her head.

There are still other contrasts. All are weeping to see a young girl who will be killed. But she is not. It is a glorious contrast because she is thirsting for Heaven, and not for earth. Along those lines, everyone is astonished that she can so easily give up a life that has hardly begun. Yet she sacrifices this life as if she had already lived and enjoyed it fully.

And what is the reason for all these contrasts? It is because St. Ambrose is trying to emphasize that there is something absurd in her martyrdom. For it would be natural for her to do the very opposite of what she is doing. The reason that she acts as she does with a strength that is beyond nature is that such strength can only come from the Author of nature itself. What is beyond nature is what is more than merely natural. What is more, than nature here is the One who is its author. God revealed Himself in the sanctity of St. Agnes and in the miracle of her death.

She goes forward and bends her head. She sees the executioner trembling as if he were the one who was condemned. But she – the condemned one – is calm and steady.

His right hand is shaking, his face pale. He fears the peril of another, while the maiden fears not for her own danger. The executioner trembles with fear to use the tools of punishment. But she has no fear of the executioner.

You have then in one victim a twofold martyrdom, of chastity and religion. She both remained a virgin and she obtained martyrdom.

This is the magnificent commentary of St. Ambrose on St. Agnes.


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